Playing Their Way – Dollhouse Furniture

Sometimes no matter what a toy manufacturer has in mind, children find their own ways to use the toys. The way children use toys is tied to where the child is developmentally, and what schemas they’re using to explore their environment.

In my two and three year old classroom, we brought in a basket of dollhouse furniture and small wooden dolls and put them near the blocks. The children sometimes used toy animals as part of their block play, so we wondered whether they would use the dolls or furniture as well.

Two and three-year-olds generally don’t engage in pretend play where that involves acting out roles using representational objects. At this age, pretend play typically involves object substitution (pretending one object is another). And, interest in the objects themselves and exploration of their physical properties is often more engaging than pretending.

Sure enough, one of the first aspects of the furniture that the children noticed was that there were moving parts: doors and drawers that open and close.

And of course, if it’s empty inside, you have to fill it.

Some of the children used the furniture as building materials, and figured out which ones stacked and which pieces could fit inside other pieces.

One of the children did use the dolls with the furniture, but that also involved just seeing what pieces fit inside each other. And after putting a doll in or on a piece of furniture, she moved on to something else.

The one piece of furniture that evoked pretend play was the toilet, which makes sense, because using the toilet is a theme the children are very personally involved with. But they didn’t use the dolls – it was the small plastic sheep and bears that needed to “go potty”.

 

And of course, one of the best ways to explore a material – any material – is to line up the pieces on a shelf at eye level.

My starting point for curriculum planning is to plan based on what children might do with the toys, not on what the toys are. Children will play their way with whatever we give them. It’s our job to recognize the value of that play and build on it.

Working Together - When They're Ready

There’s a cute humor piece titled “Toddler Rules”. “If I like it, it’s mine. If it’s in my hand, it’s mine. If it looks like mine, it’s mine.” And so on. That sums up much of toddler behavior – and the behavior of two-year-olds, and even some children three-years-old and older. Being able to share objects, materials, and physical space comes later in early childhood, when children have the cognitive skills to consider another person’s point of view. Truly cooperative or play comes even later, once children develop the cognitive, social, and verbal skills needed for engaging in reciprocal social relationships that involve negotiation and collaboration.

Since I know that it’s unlikely that twos and young threes will be able to share or take turns, I set up my classroom with multiple sets of identical items and clearly defined play areas. This is especially important for table activities where children don’t have the same ability to move away from other children, or to spread their materials over a large area without bumping into someone else. My goal is for the children to be able to be engaged with the materials without having to be protective of their space. Knowing that “this is my space, and these are my materials” can help children relax and explore.

I usually set up paint in a way so that each child has a complete set of the same colors, so they can concentrate on painting instead of passing paint back and forth or waiting for turns. It’s hard to be immersed in the creative process if every time you need a color you have to negotiate for it, especially if you’re two-years-old, and don’t have the skills to negotiate successfully.

Last week, something amazing happened. Six children all crowded around a table set up with four spots for painting. I did what I usually do, tell the children that there isn’t more space and suggest a different activity we could do together while they wait. But one of the children looked up and said, “Someone can paint with me.” Then a second child smiled and said, “Someone can paint with me too.” They each moved over and made space for another child to share their tray of paint. They took turns choosing colors, and two of the children even started painting together on the same piece of paper.

We’re nearing the end of the year, and almost all the children in the room have turned three. The two children who offered to share their paints are the oldest in the room, both three and half. When they offered their paints a younger child (who has just turned three) at the table looked concerned, and responded by grabbing her own paint, looking straight at me, and yelling, “Mine!” in no uncertain terms – which she repeated suspiciously several times as she watched the other pairs of children paint together.

Working together is a developmental step that happens when children are ready. We can force them to share materials or take turns, but true cooperation and collaboration has to come from the child, not from adult coercion. No amount of classroom rules, incentives, scolding, or platitudes of “you can’t say you can’t play” or “we all share at school” can push a child to have the cognitive ability to engage in this type of social activity. We can model, and we can look for opportunities to encourage and scaffold prosocial behavior, but just like every other developmental skill, working together will happen – when they’re ready.

Spools Knobs and Wheels

Walking through a craft store, I noticed how many of the little bags of wooden craft parts looked just like the parts of the expensive wooden toys in educational supply catalogs. We found a website that sold these parts in bulk and bought bags of various spools, beads, knobs, and wheels. After checking to make sure none of these were too small, I put the larger spools, knobs, and wheels out for the two and three-year-olds.

There was some interest in building from the younger children, but that task was mastered quickly and the children moved on.

The next day, I looked for some materials to add that would make the wooden pieces more interesting, and suggest an activity besides stacking. All the pieces have holes, which means you can stick something inside. And for two and three year olds, filling holes is one of the most engaging activities there is. Searching for what would fit inside, I chose pipe cleaners and wooden dowels.

The pipe cleaners fit in the holes easily, and the children fit as many as they could into one hole, making flowers and rainbows.

The dowels were a tighter fit. The children soon discovered that they could use a dowel to support the spools as they stacked them. And that the dowels fit snugly inside the wheels to serve as connectors as they built makeshift tinkertoys as long as the tabletop and as that were as tall as they were.

Texture Brushes

A new material I’ve introduced to my two and three-year old class is texture brushes. I’m sometimes skeptical of the art activities that involve painting with different objects. Paint brushes are designed the way they are for a reason, to be able to control the movement of the painting tool to make marks on paper. If the goal is to make carefully controlled or deliberate markings, paintbrushes or something similar are perfect tools. But if the goal is to experiment with different ways of getting paint onto paper, and to explore the physics of how texture, size, and movement impact the painting process, then using a variety of materials is a great scientific exploration.

I always consider these questions when choosing painting tools:

Can children physically manipulate and control the tool?

Is it sturdy enough to withstand pressure, bending, and physical force?

Will it hold the right amount of paint for children to be successful?

And, for children under 3: Is it clearly something that should be used for painting?

This last question might seem contradictory, if the purpose is to paint with objects not specifically intended for painting. But very young children have trouble distinguishing between using the same object in different contexts. A toddler might not understand that an apple dipped in paint isn’t an apple for eating. And a two-year-old might not understand why they can dip the toy animals in paint today but not tomorrow, or why they can paint with toy animals but not with other toys they pull off the classroom shelves on their own. 

There’s also the sensory component of painting. Brushes have their own textures and tactile sensations, whether the brush is moving across the palm of your hand, or you’re feeling the sensory input from pushing the brush against paper. Different objects in paint each have their own sensory and tactile components too.I decided to make my own texture brushes – each one was a different material taped to a large craft stick. I choose waterproof materials that could be washed and reused: heavy duty shelf liner, bubble wrap, and fabric from a mesh bath sponge. I cut a strip of fabric from each material, and taped it around the stick. First I used masking tape, but realized that wouldn’t be strong enough, so I added a layer of duct tape as well. Plastic spoons would also work as handles instead of craft sticks and would be more waterproof.

I made four sets, each with the three different brushes. I set up the activity as individual stations, each with three colors of paint and three different brushes.

The painting was much less deliberate and intentional than brushes as the focus shifted to the physical properties of the materials: how they felt, how they moved across the paper and across skin. I wouldn’t think of this as an “art” activity as much as a “sensory” or “science” activity that happened to use paint as the medium for exploration.

Transporting and Transforming Loose Parts

One of my favorite materials to use with older preschoolers are large glass beads (aka glass beads or sea glass). You can buy them in bulk at dollar stores or craft stores, and the children use them in limitless ways – as pretend food, for sorting, or for arranging into patterns and designs.

Unfortunately they’re too small for toddlers and twos, or for any child who puts objects in their mouths. So I was thrilled to finally find glass beads and shapes that were bigger. Just to be sure, I checked them with a choke tube to make sure they were too wide to be choking hazards.

I put the beads out on a brightly colored metal tray, and some more in a bowl next to it, surrounded by a few different types of containers.

As the two-year-olds began to explore these new materials, their focus was mainly on transporting the beads from one container to another. A few of the children gave the containers a careful shake, and then a more energetic shake, noticing the difference in sound as the beads rattled against wood or against metal.

Soon other children came over to see what was going on, and wanted beads of their own. One of the beauties of loose parts play is that there’s usually a lot of the loose parts materials, which makes it easier to share, even if you’re two-years-old. The child carrying the bulk of the beads in a wooden box carefully reached inside and pulled out two beads to hand to each child. Two beads – one for each hand – seemed to be a satisfying solution for everyone, and they sat, examining their beads.

As the morning went on, more beads were passed from child to child, and more containers were filled. Soon, some of the beads were transformed into “gold doubloons” that were hidden in “treasure boxes.” Some were carried to the kitchen and transformed into food to put into the oven, and water to pour into the sink.

And some beads stayed on the shelf, as children transported them from one container to another, sometimes with their fingers, sometimes by pouring from one container to another, watching as the physical arrangement changed as the beads were lined up, stacked up, or simply put into a pile in a bowl.

Please Don't Eat The Playdough

Playdough is a regular feature in my classroom. Playdough or a similar material is available every day. It’s one of the best manipulatives out there. It’s easy to manipulate, and is completely open ended. A few squishes, presses, and pulls, and it can be anything you want it to be.

I’ve use several different recipes, but my favorite is a cooked playdough (the recipe is at the bottom of the page) that is soft, and stays good for weeks. The problem is, some kids like the taste of it. I haven’t tasted it myself, but from the ingredients, I imagine that it tastes like a salty bread dough. This isn’t a problem with older children, but toddlers, twos, and even young three-year-olds sometimes put it in their mouths. And occasionally, there are children who repeatedly put it in their mouth through the morning as they’re playing.

So, what should I do if I don’t want the children to eat the playdough?

As I discussed ideas on education blogs and with some teachers I know, several interesting themes came up about young children eating/tasting/mouthing materials, that I wanted to reflect on in terms of how those ideas fit with my teaching philosophy:

If they’re eating the playdough, maybe they’re too young for you to give it to them.

Why not just let them eat the playdough, and look at it as another way of exploring materials?

Find ways to teach them not to eat the playdough, and don’t let them use it if they keep eating it.

I understand all three of these perspectives, but none of them fits with my goals for using playdough in my classroom, and my philosophy of how children learn how to interact with materials at school. Young children often use materials in a ways that need to be redirected by a teacher. Sometimes it’s for health or safety reasons – in this case, fingers and playdough in and out of mouths as the children play presents health concerns. Sometimes it’s about taking care of the materials – in this case, if the children mouth or eat the playdough, we don’t have it to use anymore. And there’s also the central goal of being at preschool – learning how to interact with the materials and environment in a way that is respectful to the other children in the group, and that facilitates learning. I want the children to be able to explore materials freely, but also to explore in ways that allow them to have the experiences that I’ve planned for them, and to reach the learning goals that I’ve set for them. Not giving playdough means they won’t have those experiences. Letting them eat the playdough changes the focus from the original activity to an eating activity. And “teaching” them not to eat the playdough, with negative consequences if they fail to follow my instructions, puts me in the position of policing their play, and takes away some of their ability to play independently.

A better choice is to choose materials that will scaffold the activity without needing my direct intervention. We know young children might rip book pages so we give them sturdy board books that can’t be ripped. We know they might pour out large containers of paint, so we give them small ones that aren’t filled to the top. So, I decided to create a playdough recipe that would send a sensory cue that “this isn’t for eating.” The materials teachers choose, and how they're presented can "tell" children how they can be used (read more here).

So instead of creating my usual playdough that looks and smells like cookie dough, I altered the recipe to make it look less like food, and so it wouldn’t taste good if anyone decided to put it in their mouth. I used green, red, and a little blue food coloring to give it a grayish-greenish color (almost the color of clay). And I added vinegar and lemon juice as I cooked it to give a faint (not overpowering) sour aroma and a strong sour taste if a child decided to eat it. I also put it out with loose parts the children hadn’t used before, instead of the rolling pins, cookie cutters, and plates that suggest food themed play.

There was lots of rich and varied play, but no eating.

 And here are the recipes…. The cream of tartar in cooked playdough acts as a preservative, so the playdough stays fresh for weeks. Vinegar does the same thing, so if you make the “not food” recipe, you don’t need the cream of tartar. Store either dough in a sealed container.

Cooked Playdough Recipe

2 cups flour

½ cup salt

2 cups water

2 tbsp. oil

2 tbsp. cream of tartar

Food coloring (optional)

Mix together in a pot, then cook while stirring until mixture becomes solid.

“Not Food” Cooked Playdough Recipe

2 cups flour

½ cup salt

2 cups water

2 tbsp. oil

2 tbsp. vinegar

2 tbsp. lemon juice

A few drops each green, blue, and red food coloring (to look gray)

Mix together in a pot, then cook while stirring until mixture becomes solid.

Filling and Dumping

One activity that toddlers and young preschoolers never tire of is filling and dumping. A container full of anything – sand, toys, food – is often quickly dumped over, its contents spilling to the ground. An empty container is often filled (even if not what was originally in it), sometimes to the top, as a mix of puzzle pieces, toy food, and playdough reaches the top and spills over, prompting the child to eagerly dump it out again.

This process of dumping and filling, filling and dumping, is one of the ways that young children explore how the physical world works, and experiment with their actions on objects. Filling and dumping involves thinking about size, volume, incline, force, gravity, and cause and effect. What sometimes looks to adults like “making a mess” is actually a complex long-term project of figuring out the relationship between a container and the objects that fit inside.

In my classroom, I provide many activities that give children an opportunity to explore filling and dumping. Some of the best materials for filling and dumping are “loose parts” - open ended, non-representational materials that can be used in a variety of ways. Finding appropriate materials for toddlers and twos can be challenging, since so many “loose parts” are small enough to fit in their mouths, or are easily smashed and crushed.

Pompoms and cotton balls are two wonderful materials for this age group (and older preschoolers too). A simple “fill and dump” activity is to put out empty juice bottles with small plates of cotton balls. 

The children were fascinated watching the cotton ball drop to the bottom of the large bottle, but they cotton balls were hard to dump out through the narrow top. So, the next day I switched to shorter applesauce jars that they could fit their hands into.

Setting up the materials in the sensory table provided more room for dumping, and made it easier for the children to control where the cotton balls went. I combined the cotton balls with pompoms to make it colorful, and added napkin rings – another “loose part”, but with a different shape, weight and texture. I also added tongs as an option for picking the objects up,

The children used the materials in ways that I expected, and in ways that I didn’t.